Heavy Sounds Métallisés

ready freddie a écrit:contente d'avoir trouvé une fan de gotthard misty, c'est tellement rare :

mosquito69 a écrit:Bon ben je vous laisse les filles !!!

Pfff, des Hard-Rockers suisses....

Tu craques
Et j'me laque
Pas les cheveux
Mais le faux-jeu
Dont je n'ai rien à jouer
Because je préfère danser jouer chanter
Sansme gourer
0 St-Mosquy'
à bientôt si Dieu le veut
Entre deux voeux

please fais pas skier la louve
car du Blues elle n'est point jalouse
Ni des sons métallisés
so damn heavy
Franckie be good for la misty
Entre deux mi

°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

Ultime concert de Steve...

Vidéo & commentaire ajoutés on Youtube par coolman7171 le 3 oct. 2011
Concert de Deep Purple et l'Orchestre Philharmonique en juillet 2011 au Montreux Jazz Festival retransmis par la TSR2 09.2011.

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"Music video by Whitesnake performing Don't Break My Heart Again."

mosquito69 a écrit:Je croyais que la pleine Lune te rendait toute bluesy et voilà que tu envoies du lourd !!!

"Felix Peikli Quintette effectuer Eternal Flame (échantillon: Felix Peikli) @ TV2 Dieu Morgen Norge (retransmis en direct la télévision nationale norvégienne) 19 Août 2010 dans le cadre de leur tournée en jouant à Oslo Jazzfestival et plus. Felix Peikli (clr), Italo Cunha (RTM .), Takeshi Ohbayashi (pno), Justin Richey (basse), Jeffrey Fajardo (drm) S'il vous plaît visitez le site: http://www.kingclarinet.com pour plus d'infos!"

"Having started in the 1960s with a British Invasion band that had such hits as "Do Wah Diddy Diddy" and "The Mighty Quinn", then moving on to Jazz Fusion with Manfred Mann's Chapter Three, Manfred's third band, "The Earth Band' is still alive and recording. In his 2003 biography, former member of Manfred Mann's earlier Manfred Mann Band and Beatles-associate Klaus Voormann alleged to have inspired Mann for the Earth Band's name by having besought Mann several times throughout the 1960s that Mann's soft pop style of those days had to become more "earthier" and rockier, not least of all because of the seemingly effeminate image of Mann's earlier band which had led to a number of close encounters with violence particularly in Ireland.[1]

The membership of the Earth Band was stable through their first six albums before becoming relatively informal; Mick Rogers originally performed lead guitar and lead vocal duties before being replaced by Chris Thompson on vocals and Dave Flett on guitar, who is currently working on his solo album Flying Blind. Drumming duties were fulfilled by Chris Slade, who was later to be a member of AC/DC and Asia. Bass player Colin Pattenden, after leaving the Earth Band, became a sound consultant, running his own company designing and installing sound systems. There was much about the Earth Band that was potentially successful, but the contrariness of the band's approach and Mann's perfectionism meant that albums frequently came out with different track listings in different territories, or in alternative versions.


The Earth Band combines the stylistic approach of progressive rock with Mann's jazz-influenced Moog synthesizer playing and keen ear for melody. Beside producing own material, a staple of the band's music and live performances from the beginning has been also relying on covers of songs by other modern pop/rock artists, notably Bob Dylan and Bruce Springsteen, in MMEB's progressive rock style.

Mann's interest in English 20th century classical music saw him adapt Gustav Holst's Planets Suite, garnering an unlikely UK hit with a version of the "Jupiter" movement, with lyrics added, entitled Joybringer (included on the 1973 album Solar Fire). Another classical reference was Questions on the 1976 album The Roaring Silence that is based upon the main theme of Franz Schubert's Impromptu in G flat Major.

The title song to 1973's Messin', as well as most of the album The Good Earth tapped into ecological concerns, a recurring theme in Mann's music in later years, with The Good Earth giving away a free gift of a piece of land in Wales with each album sold. Like other progrock acts, beside treating environmental issues the band also issued concept albums on space and sci-fi themes (particularly Solar Fire, a minor resurgence of which was seen in the songs Launching place off The Good Earth, and Starbird, based upon Igor Stravinski's ballet The Firebird, on The Roaring Silence) and a number of their songs featured religious or biblical imagery (Prayer on the band's debut album, Buddah on Messin', Dylan's Father of day, father of night and In the beginning, darkness on Solar Fire, The road to Babylon and This side of paradise on The Roaring Silence, Resurrection on Angel Station).

Social criticism was tackled throughout the 1970s (Black and blue on Messin' dealt particularly with slavery, and Chicago institute on Watch with mental institutions and science as a mean of social control), a trend which grew throughout the 1980s, with songs such as Lies (through the 80s) on technological progress vs. social setbacks on Chance, and with Mann's growing involvement with the anti-apartheid movement which spawned the 1982 album Somewhere in Afrika. Mann's intention for acknowledgement of oppressed ethnics also influenced the 1992 album Plains Music working with traditional North-American natives material.

Source: Wiki :"

"La voix de Gerry Boulet, c'est comme une veste de cuir qu'on aurait râpée sur l'asphalte pendant 5OO kilomètres", avait qualifié avec justesse Bruno Dostie. Cette voix est celle qui a donné, en marge de tous les mouvements de la chanson, une forme au rock'n roll québécois, inventant son patois et lui provoquant ses crampes d'estomac.

La voix de Gerry Boulet, sur la musique d'Offenbach, a fait hurler à la une tous les assoiffés d'authenticité. Pendant plus de vingt cinq ans, elle a été l'âme du groupe. Malgré les mutations, les modes, les crises, elle a crié ses vérités avec chaleur, avec une intense générosité.

II demeure le dernier de la race des hommes forts, le premier des "machos" sans en avoir jamais connu les règles. Avec sa cuirasse, ses cordes vocales musclées, il a fait trembler de plaisir des milliers de durs. Simplement, sans jamais mettre un mot de trop, il a provoqué des frissons.

A travers toute cette histoire d'Offenbach, il a été le pilier, le dénominateur commun d'une musique "Made in Québec"

http://www.gerryboulet.qc.ca/

Parole :

J'ai tourne de l'oeil en rond
Aussi loin que me le permettait la vie
J'ai fouille jusqu'au fond
Mon orbite tournée vers l'infini
Je te croyais toujours la
Impossible d'admettre que ce soit fini
Non non non que ce soit fini
Et j'ai crie ton nom
Aussi fort que me le permettait mon cri
J'ai hurle comme un lion
En train de mettre toute mon âme en charpie
Mon deadline a bout de bras
Qui déchire le ciel pour sa survie
Oh! Pour sa survie
De l'autre cote du mur du temps je suis allé
Et j'entends la voix du vent qui vient souffler
J'ai soutenu ma passion
Aussi fort qui est possible d'être passionne
J'ai paye la rançon
Par ma propre folie je fus bouffe
Mon deadline a bout de bras
Qui déchire le ciel pour sa survie
Oh! pour sa survie
De l'autre cote du mur du temps je suis allé
Et j'entends la voix du vent qui vient souffler

http://www.archambault.ca/mp3/gerry-boulet-rendezvous-doux-ZIK2656988-fr-pr ."

" © 2010 WMG. LedZeppelin.com Official Video Channel

Head over to http://www.upped.com/Mothership-Vinyl/A/B000WC4A8O.htm for the MOTHERSHIP album on VINYL (makes a great holiday gift!)


Led Zeppelin promo video: "Whole Lotta Love"(1997). LedZeppelin.com - Official Led Zeppelin Video Channel."